We Three Kings: The Roches
Today is the Feast of the Epiphany or Three Kings’ Day . The feast commemorates the visit of the Magi to the Christ child.
Explore posts in the same categories: VideoToday is the Feast of the Epiphany or Three Kings’ Day . The feast commemorates the visit of the Magi to the Christ child.
Explore posts in the same categories: Video
January 6, 2018 at 2:53 pm
As much as I like The Roches, I think this may be my favorite version of We Three Kings. They really reinvented it and thought maybe some of the coffee clan might enjoy hearing it.
January 6, 2018 at 6:43 pm
im6, is it Astrocolor? The video (without artist name) you posted is blocked here and I had to find another.
January 6, 2018 at 6:54 pm
Hi Birgit… yep, it’s Astrocolor (from Vancouver, I believe). My screen shows the name of the group on the video itself, but I guess if you can’t see that, you made a very good guess. Here’s another (bit shorter) version of the song. Maybe this one won’t be blocked. Happy New Year (or, if Google translate is correct, Frohes neues Jahr)
January 6, 2018 at 7:04 pm
Thanks, im6, that’s the working one I found with “feat. Abi Rose”. Interesting but not my music though I like the voice.
Danke gleichfalls! 🙂
January 6, 2018 at 7:03 pm
im6,
It is really different. I didn’t even recognize it until I heard the music of the original. I’m not sure if I like it. I’ll have to listen again. Meanwhile:
https://www.pastemagazine.com/articles/2015/11/the-5-best-and-5-worst-holiday-albums-of-2015.html?_=5609637733038148059
January 6, 2018 at 6:38 pm
It hurts to see young Maggie. This was the first Christmas I haven’t heard the Roches Christmas album, with Odetta’s Christmas record it was a must each year.
January 6, 2018 at 7:04 pm
Birgit,
I agree about Christmas music musts, and your two are wonderful choices.
January 6, 2018 at 6:46 pm
I like the Roches version more because I’m fond of the Roches’ harmony singing, but this version is quite interesting. There are some common elements in the use of the clarinet in the Roches and the sax in Astrocolor. Thanks for sharing…..
January 6, 2018 at 7:05 pm
Spaceman,
I don’t know if I like the Astrocolor or not. I’ll listen again.
January 6, 2018 at 7:35 pm
The music one likes is, of course, relative and personal. The writer at Paste is certainly entitled to his opinion, but that’s all it is: his opinion. As you can well imagine, I listen to literally hundreds and hundreds and hundreds of holiday songs each year. When something is different (like Astrocolor) it catches my ear. I’d rather hear someone try something new than to just record another same ol’ same ol’ version of a song. Astrocolor certainly didn’t do that. Neither did The Roches 🙂
January 6, 2018 at 9:14 pm
im6,
I love variations of traditional songs as the same songs do get a bit monotonous. I didn’t post the list as definitive; of course, I recognized it was just one opinion. I post those different lists as many times they contain music we might not know or the same music presented differently as with Astrocolor.
With something this different, I have to listen a few times. One isn’t enough.
January 6, 2018 at 7:57 pm
I’m sure everyone knows their a cappella treatment of similar material?
January 6, 2018 at 9:17 pm
Thanks, Mark
This is just so beautiful it defies description.
January 6, 2018 at 9:18 pm
Paste thinks RuPaul merits a top 5 Christmas album? Yea, right.
January 6, 2018 at 9:23 pm
Spaceman,
I don’t even know a single RuPaul song. It seems every singer thinks a Christmas album is a must.
January 6, 2018 at 10:28 pm
I suspect you would not know RuPaul. Not your ordinary celebrity.
January 7, 2018 at 12:00 am
Your suspicion is correct.
January 6, 2018 at 10:43 pm
Speaking of Roches and (Mark’s Star Of) Wonder, Suzzy sang some songs on Dick Connette’s new album. (Connette produced Wainwright’s Charlie Poole.) One of the Suzzy songs is on YouTube and also this beautiful live song Wonder Of The World:
January 6, 2018 at 11:18 pm
Here’s a Charlie Poole tune for Miss Katry.
January 6, 2018 at 11:55 pm
Spaceman,
This song is so very connected to Wonder of the Wonder but not in style but through the sentiment of the lyrics. Take me back and turn back the hands of time are kindred lyrics.
I like the instruments and the beat they produce.
January 7, 2018 at 12:32 am
Since this musical journey ended up with Joan Baez, Kat, you might want to tell Alexa to remind you of her 77th birthday on Tuesday?
January 7, 2018 at 11:22 am
Birgit,
Alexis is set to remind me. Thanks!!
January 7, 2018 at 1:33 pm
I chased this song (Take me Back) backward in time. Pre-dated Charlie Pool. Original song was titled “Take Me Home” and is attributed to John Hill Hewitt (aka,The Bard of the Confederacy). Some variation in the lyrics.
https://en.wikipedia.org/wiki/John_Hill_Hewitt
http://pdmusic.org/hewitt/jhh64tmh.txt
January 7, 2018 at 1:48 pm
Spaceman,
I often trace the origins of songs I post to find the first recording of the song. Many date further back than I thought. John Hill Hewitt had a varied, interesting life. The title Bard of the Confederacy is interesting given he started out up north and even spent time at West Point.
He was destined to end up in music despite his father.
January 6, 2018 at 11:50 pm
Birgit,
I’m listening for the third time. The song is so beautiful. The line turn back the hands of time circles around go on home again, go back home, and then she sings of simple things like out in the weather I caught a common cold and then she couples that with finding true love which lasts forever. Thank you!
January 7, 2018 at 3:55 pm
Nice work, Spaceman! The song does have a convoluted history and it’s no surprise that the sanitized versions are current.
January 7, 2018 at 11:43 pm
John Hill Hewitt certainly had an interesting life and some remarkable musical accomplishments. And 7 children and remarried at 63 to an 18-year and had 4 more for a total of 11. Of course having that many children was not at all unusual during those times and even into the early 20th century. Note sure what to make of his habitually ending up employed at female colleges. Seems like an unusual terminology in today’s way of speaking. There was a female college here – there is a historical marker near the court house on the building where it was. I’ll pay more attention to the marker next time I go to the court house. I really like old time music and particularly that of the War. Have a local group that performs with authentic brass instruments.
http://digital.mtsu.edu/cdm/ref/collection/women/id/837
http://www.otbrass.com/
January 8, 2018 at 11:36 am
Spaceman,
I watched the video of your local group playing the William Tell Overture. I think I mentioned how much I like the sounds of brass instruments. How different are the over the shoulder instruments? In playing, in sound?
I noticed you played at the Sutton Civil War Festival in Sutton, Massachusetts. I had to look up Sutton as I didn’t know it. The town is near Worcester, an area I don’t know well.
11 children, yikes!
January 8, 2018 at 1:06 pm
Brass is not an area I know much about and I don’t have the ears to distinguish meaningful differences with current instruments. I’m sure there is. Hoping that they will play again this year in the Concerts in the Park series.
http://www.artshuntsville.org/concerts-in-the-park-2/
January 8, 2018 at 1:29 pm
Spaceman,
I have a limited brass ear, but it is the sounds of all of them together which I love. It is a huge sound!
January 10, 2018 at 8:58 pm
Fascinating. I played with The Yankee Brass Band for a number of years on their tours in MA, VT, NH, & Maine. I am one of the cornet players in this picture: http://www.yankeebrassband.org/ybbaudiosamples.html
Those 19th-century brass instruments are hard to play, but it’s a lot of fun.
January 10, 2018 at 10:08 pm
Mark,
I would love to be in the audience for a brass band. There is a sound only brass can make.
January 11, 2018 at 1:00 am
That’s really neat. Perhaps you can answer Miss Katry’s question concerning regarding differences in sound using vintage instruments versus modern instruments. Are the band’s uniforms symbolic?
January 12, 2018 at 11:41 am
Sure. The vintage instruments are usually much more difficult to play in tune. They also are much less “edgy” and generally more “soft-spoken”. Frequently they were made to sound at a higher pitch than most modern instruments (ca. 450Hz vs 440Hz at “concert” A). The cornets, because of the cross-section shape of their tubing and the inner shape of the mouthpiece, were much more similar in sound quality to the alto and tenor instruments of the ensemble vs. the sometimes strident sound of a modern trumpet section. The uniforms are generic representations of 19th century band garb. I’ll probably be touring with this group in July. 🙂
January 12, 2018 at 12:20 pm
Mark,
Thanks for quite detailed (and scientific) description. There’s a lot more to it that I would have ever realized and am more so impressed with people that tackle vintage horns. I have tried to learn to play some kind of instrument several times and have utterly failed – so I’m still a bit envious of people that can. It’s hard work. I bet ya’ll have a blast touring around.